SAMENWERKINGSPROJECTEN
THE PARK BEHIND MY BACKYARD
2021
This project represents a view of the networking, co-existence, collaboration and connectedness among the Venserpark's living organisms. Every day hundreds of people pass through the park, but only a few take their time to connect with the flora and fauna of the small open space. The park's area is home to a variety of animals, plants and trees, and they all seem to be co-existing and collaborating in a harmonious way, following the natural cycle of life. The greenery is a world full of connections, offering the observer multiple interpretations of its identity that can be viewed, travelling through the concepts of time, temporality, repetition, rhythm, cycle and resilience.
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Besides digital photographic images, the project includes also several other photographic approaches (such as film camera, hunt camera, DSLR pinhole cap, underwater camera, anthotype prints and a reverse lens on a DSLR camera for macro effects), providing much space for experimentation and alternative processes that in a way helped to strengthen my own bond with the natural park environment, and slow down the process to have more time to connect with the urban park environment.
The project is also enriched by nature sounds that the Dutch sound engineer Joshua Krosenbrink captured in Venserpark at exact places where the photographic images were taken in the fall of 2021.
Although the trees, the plants and the birds don't have their own voice, they all have a story to tell. By actively involving the viewer's visual, auditory and tactile senses, a more complex engagement and perception of the topic is achieved, allowing the viewer to soak up bits and pieces of Venserpark's identity and puzzle together an overview of the park's hidden daily life.


HUMAN-CANINE BOND
2021
This participant-focused project reflects on dog-as-a-pet ownership in a contemporary urban environment. The material was obtained using disposal cameras, a pet camera, through interviews, sound recorder, travelling smartphone and a digital camera. ​
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​Much as the unpredictable nature of animals, so was the approach of the photography outcome. The work relied on the method of chance, leaving the outcome to some extent in the hands of the participants themselves. The outcome is a mix of viewpoints from the three involved parties (the photographer, dogs and their owners) and allows a viewer to be carried away to an arbitrary space where simplicity intertwines with complexity in the daily lives of dogs.​
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The relationship between humans and their pets is never perfect, much like the strategy of presenting the work itself. The raw material obtained from the participants is left untouched and blended into photocollages.



